Kar-Knum Karknoumis Knoumos Kraumonis Kronos
Lord of Boundless Time

Kronos (called Saturn by the Romans) is usually represented with a snake wound seven times around his body. The snake represents both the seven planets as well as the winding course of the sun through the zodiac - the signs of the zodiac are often visible between the coils. He always has a lion's head, suggesting the all-consuming nature of time. He is also ruler of the four winds, represented by his four wings. The figure often holds a key in each hand - possibly a key to the underworld and to the future.

 

Nero: Antium, Italy, December 15, 37 A.D. 07:39:00 AM

"The Sun was rising and his earliest rays touched the newly-born boy almost before he could be laid on the ground." This piece of information, from the historian Suetonius who was born the year after Nero's death, gives us the exact birth time necessary for drawing up an accurate horoscope. According to the most famous astrological manual that has come down to us, Firmicus Maternus's Mathesios written in 334 AD, the sun on the ascendant (the eastern horizon) "foretells the greatest good fortune ...if Mars is in aspect to or in conjunction with the Sun, this indicates generalship and imperial powers, but together with ill-will, danger, impediment, contests and difficulties." (Firmicus p 88) Interestingly Firmicus here also says that if the sun on the ascendant is in conjunction with malefic planets (such as Mars) the eyesight will be weakened. Nero was short sighted.
Jupiter square the Moon, "indicates infinite riches for the mother and for the native himself. They attain the highest office and great fame and are deservedly promoted over their friends." (Firmicus p 190).

There are also unfortunate aspects to Nero's chart:

Mars conjunct the sun on the ascendant indicates not only weak eyesight but the early death of the father and instability of mind (Firmicus p 200). Nero's father died when he was three.
Nero's moon is waning and is in aspect (square) to his Jupiter. According to Firmicus this indicate children who "will be adopted: or exposed, and later returned to their parents. They seek income by their own efforts, and over a period of time receive advancement and achieve power and fame." Nero was taken into the household of his paternal aunt when, in his third year, his father died and his mother was exiled. His ambition was to achieve fame as a musician.
Venus in the domicile of Saturn (Capricorn) predicts that the child will commit incest with his mother (Firmicus p 247).

If we assume that Balbillus (Agrippina's astrologer and also later Nero's) believed in the theory of Triplicites (signs positioned 120 degrees from each other and therefore "in tune"), he would have noted that Nero's rising sign Sagittarius was "in tune" with the Leo, the sign where Nero's moon is placed, the moon that stood for the mother. This would predict that the child and mother would have a harmonious relationship - they apparently did for a time while Agrippina was raising Nero to absolute power. Because Nero's sun was precisely on his ascendant, his Part of Fortune (an imaginary point which is separated the same number of degrees from the ascendant as the sun is from the moon) was conjunct his moon. This Balbillus would probably have been taken to mean that Nero's moon (his mother) was his lucky star.
However the planet that ruled Nero's chart would probably have been thought to be Saturn "the evil one". Saturn is positioned at Nero's mid heaven. He is in aspect to four of the other six planets. He is also the ruler of Nero's horoscopic point, his ascendant.

If we assume that Balbillus used the twelve house system as explained by Firmicus, which is by no means certain, an additional set of interesting predictions can be made.
Nero's moon is situated in his eighth house (Death or Way of Death). When positioned here, Firmicus says, the moon indicates "high position, large income, honors, and a position of rule ... if Jupiter is in the eleventh house" (Firmicus p185). Elsewhere he confirms the importance of Jupiter in the eleventh house (Friends): "The greatest good fortune and great fame - consular or proconsular power - result from Jupiter in the eleventh house ..." He does, however, go on to qualify this.
Saturn's position in Nero's tenth house, the House of Power or Honors, indicates "emperors, generals and praetorian prefects" (Firmicus p77) although the fact that he is square Mars "will diminish this good fortune" (p78).

When reviewing predictions based on Firmicus one must keep in mind that both Nero's horoscope and his subsequent destiny had probably entered the body of astrological lore upon which Firmicus later drew.

Nero's acclamation:11:07 AM October 13, 54AD Rome, Italy.

The historian Tacitus says that Claudius' death was kept a secret to "await the propitious moment forecast by the astrologers. At last, at midday on October 13, the palace gates were suddenly thrown open." (Annals 12.66) Only the moon moves fast enough to justify such a perilous wait. As the above chart shows, at 11:08 AM the transit moon, whose influence was magnified by the fact that she was moving through a part of the zodiac which was both her own house and her own decan, reached a point which is exactly in a fortunate sextile to Nero's planet Saturn. The Roman "midday" at this time of year was 11:45 AM. The identity of the moon with Agrippina in Nero's chart should be kept in mind.

Nero's death: 4:35 AM June 11, 68 AD Rome Italy.

Side-by-side in the notebooks of the second century astrologer Vettius Valens are two charts for an unnamed person who was born on December 15, 37 and who died on June 11, 65. What Vettius is trying to demonstrate with these charts is how a man's death can be predicted on the basis of the return of the planets to the same basic pattern of aspects as at his birth.
The Moon is square Jupiter at the unnamed man's birth. The moon is once again square Jupiter at his death. The sun is square Saturn at his birth and once again square Saturn at his death. Venus is trine Saturn at his birth. She is once again trine Saturn at his death. Most important of all, on the day of this man's death, Saturn is within half a degree of its position at his birth.
It is no mystery why Vettius does not say that these are Nero's charts since dabbling in imperial horoscopes, particularly horoscopes concerning an emperor's death, had been a capital crime since Augustus' day. What is at first perplexing is that the generally accepted date of Nero's death is two days earlier, June 9, when only one aspect (Venus trine Saturn) is the same as in the birth chart. Did Vettius deliberately change Nero's birth date to make his point?
I don't believe so. Ancient chronology was often in error and the texts that have come down to us are corrupt. The early third century historian Cassius Dio points out a further cause of error: emperors, he says, counted the days of their rule from their acclamation, not from the death of their predecessor (Dio 66:17). In order to correct the historical record, he specifies that the interval between Nero's death and Vespasian's succession (July 1, 69 AD) was one year and twenty-two days. Counting inclusively, as the Roman's did, this yields a death date of June 11, 68 and vindicates Vettius Valens. (See Reece, "The Date of Nero's Death"). This date is also preferred by Edward Champlin in Nero, his brilliant new history of Rome's most misunderstood emperor (see page 272).

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