
The
final showdown between Christ and Antichrist by Durer
(click the picture for full viewing)
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Why
was Nero the essence of evil for the early Christians?
The
conviction that the Messiah would return when evil was triumphant
goes back to the Jewish Book of Baruch which was begun soon
after the Babylonians sacked Jerusalem in 586 BC.
The
Book of Revelation, which has been dated somewhere between 64
AD and 95 AD, picks up the thread. It makes the famous claim
that the coded name of the Antichrist is 666, which can mean
Nero Caesar in Hebrew. Modern scholarship ("666" in
Semiotica 77, 1989, pages 369-392) confirms this important identification.
The
belief that Nero was the Antichrist was still current in the
5th century when St. Augustine writes, "Some suppose that
Nero will rise again as Antichrist. Others think that he is
not dead ... and that he still lives on as a legendary figure,
of the same age at which he died, and will be restored to his
Kingdom."
Jewish
zealots hated the Romans ever since Marc Anthony, Nero's great-grandfather,
conquered Palestine in 63 BC. If Rome's emperors were all candidates,
what was so special about Nero to make him worthy of being selected
as the devil incarnate?
The
answer appears to be his popularity in the street all over the
empire. More than popularity. Worship.
Nero
didn't just patronize the arts, music in particular. He fiercely
promoted them to a mass audience. After the Great Fire of Rome
in 64 AD, he built a huge arts and entertainment center, the
Golden House, in the middle of the burnt out city. Much to the
horror of his aristocratic contemporaries, who believed he was
dragging the imperial dignity through the dirt, he not only
composed hit songs and operas but performed them in public.
He organized festivals, open to all Romans, that glorified the
senses.
The
early Christians preached a life of sackcloth, ashes and martyrdom
to the same demographic profile - working people, slaves, poor
immigrants. Christianity's ascetic gospel was in direct competition
with Nero's artistic gospel. This new sect had a secret weapon:
the fanatical conviction that the end of the world was at hand,
that all those who were seduced by Nero's message would be burnt
by holy fire while martyrs who resisted the seductive Beast
would feast forever in Paradise. It was a powerful message that
prevailed.
It
was not until 1,500 years later that Nero made his comeback,
not as the Antichrist but as the Renaissance. Echoes of martyrdom
and its promise of Paradise have also come back to haunt us:
the ideology of fundamentalist Islam.
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